Continuité, rupture et construction identitaires : analyse de discours d'immigrés maghrébins en France
Identifieur interne : 000878 ( Main/Exploration ); précédent : 000877; suivant : 000879Continuité, rupture et construction identitaires : analyse de discours d'immigrés maghrébins en France
Auteurs : Aziza BoucheritSource :
- International Journal of the Sociology of Language [ 0165-2516 ] ; 2008-03-01.
Abstract
Immigration is a phenomenon which has deeply upset the life of millions of Maghrebians, as a good many of their narratives show. The analysis of the immigrants' trajectories allows us to point out how language can become the means by which continuity, rupture, and building identities are expressed differently by men and women. This analysis also reveals that men's and women's complementary discourses are, at the same time, common and similar because they reflect their belonging to the same cultural background and the same social class. The principal corpus of the analysis is a documentary titled Mémoires d'immigrés. L'héritage maghrébin, produced by Yamina Benguigui in 1997, which is representative of one of these trajectories. Though audiovisual aids help to examine all the phenomena at the semiotic (gesture, posture, dress) and linguistic levels, in this article, we limit ourselves to a linguistic analysis of the complete narratives published by the producer in a book which came with the film. The analysis deals with both the immigrants' discourse and the discourse made about them by researchers and institutions. Its aim is to show the continuity, rupture, and building identities phenomena which characterize each group and to discuss, how, in front of the “same” event, specific strategies are adopted by men and women. In this way, we have related, on the one hand, gender, social class, and culture and, on the other hand, continuity, rupture, and building identities and the use of anaphora (we/them) and deictics (here/over there) where the referents are, by nature, dependent on the place where they speak.
Url:
DOI: 10.1515/IJSL.2008.012
Affiliations:
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<front><div type="abstract" xml:lang="en">Immigration is a phenomenon which has deeply upset the life of millions of Maghrebians, as a good many of their narratives show. The analysis of the immigrants' trajectories allows us to point out how language can become the means by which continuity, rupture, and building identities are expressed differently by men and women. This analysis also reveals that men's and women's complementary discourses are, at the same time, common and similar because they reflect their belonging to the same cultural background and the same social class. The principal corpus of the analysis is a documentary titled Mémoires d'immigrés. L'héritage maghrébin, produced by Yamina Benguigui in 1997, which is representative of one of these trajectories. Though audiovisual aids help to examine all the phenomena at the semiotic (gesture, posture, dress) and linguistic levels, in this article, we limit ourselves to a linguistic analysis of the complete narratives published by the producer in a book which came with the film. The analysis deals with both the immigrants' discourse and the discourse made about them by researchers and institutions. Its aim is to show the continuity, rupture, and building identities phenomena which characterize each group and to discuss, how, in front of the “same” event, specific strategies are adopted by men and women. In this way, we have related, on the one hand, gender, social class, and culture and, on the other hand, continuity, rupture, and building identities and the use of anaphora (we/them) and deictics (here/over there) where the referents are, by nature, dependent on the place where they speak.</div>
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